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The Musician’s Guide to Digital Audio: The DAW You Use
On a single channel, for example, a whole host of things can appear in the time and frequency domain. This can be a literal plethora of data, as instruments of a single channel can be played in unison or in groups, or a multitude of effects or EQs can be applied. A host of different settings can be chosen and the artist will be presented with a variety of signal processing options to find their way. The sheer number of options can overwhelm the beginning or intermediate level user, especially with limited technical knowledge. Even with a dedicated DAW, the volume of settings can be overwhelming, and rarely can an artist find a clear path to his or her desired sound.
The Musician’s Guide to Digital Audio: The DAW You Use
is for the beginner or intermediate level DAW user who wants to quickly find his or her way. Let’s face it, just because you have invested hundreds of dollars into a DAW doesn’t mean you know everything. The DAW user can quickly develop a sense of how the device works, creating a mental map of sorts of how everything works and what parameters can be adjusted to create the desired effect.
You will quickly get a sense of how much flexibility is available in the interface and how DAW software manufacturers can make a two-dimensional GUI with literally any features they want to support. Of course, higher-end DAWs have a more elaborate configuration tool to allow the user to set global effects, but even in this regard, there will be a certain amount of choices.
The good news is that there are some basic rules you
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