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KEYGEN SIS 2011B

redammif: i dont have a problem with a metal band doing a cover of a pop song that changes some of the lyrics. that should be acceptable. i think what you described is unfair to fans. why should they be forced to listen to an artist say that they are doing “gore metal” when they are not? for instance, i listened to blasphemy, and it was a great experience for me because i had no idea what to expect. i think i will look into epica. i can see a lot of value in this style.

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the one track that i cant seem to get my head around is the last part of the record where da starts re-interpreting some of his own words and phrases from previous albums in a slightly different context. i dont know how i feel about the idea of him doing that. in a sense he is just re-working the same thing he did before. he is still playing the same instrument. he isnt really musically doing anything different to the music he created before.
what makes the ‘2 of 4’ part of ‘the waking’ interesting is that he isnt really playing so much for himself, but with the listener, who is really only there to track da on the drums. she is a real-time participant and collaborator. there is no 20/20 hindsight mentality when da is playing, as if he is only following his own musical path and knows exactly what needs to be done and what will satisfy his artistic intentions. he is only playing for her, not himself. her comments are almost an encore feature of what he is doing. theres only one interesting thing in that context that i cant help but think of. this is the use of the phrase “frenetic beats” in the phrase ‘all we are is freshly laundered”. the first time i heard that phrase i thought of stark naked percussionists. now its just a way of saying frenetic. and really that frenetic beats of his great drummers of old have now gone, replaced by this frenetic lass.
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